✨ New Arrivals Just Dropped!Explore
Doug Unger Presentation Open Back Banjo (c.2003)
HomeStore

Doug Unger Presentation Open Back Banjo (c.2003)

Doug Unger Presentation Open Back Banjo (c.2003)

$3,675.00

Original: $10,500.00

-65%
Doug Unger Presentation Open Back Banjo (c.2003)

$10,500.00

$3,675.00

The Story

Here is a stunning homage to the Fairbanks banjos of the 1890s by master craftsman Doug Unger. Doug made this neck to mate with a Weymann c.1900 top-of-the-line rim (described below) as a personal custom order for dealer John Bernunzio. Every deluxe feature imaginable appears on this neck. The beautifully engraved pearl inlays in the ivoroid-bound Weymann shaped headstock and neck are reminiscent of the best work from Icilio Consalvi (the Italian immigrant who set the standard for instrument engraving on Fairbanks and other Boston-made banjos beginning in the 1890s). You may want to feast your eyes on the detail in the attached photos of the headstock (front and back - with ebony back-strapping) and ivoroid-bound ebony fretboard. Catch your breath a little and observe the unique carving on the Cole-style boat-shaped heel. While you’re looking at the back of the banjo, note the metal-spun Weymann rim.  Very few of these Weymann top-of-the-line open back banjos are known to exist, and most have similar marquetry and somewhat varied elegant engraving.

Doug Unger Presentation Open Back Banjo (c.2003) - Image 2

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Doug Unger Presentation Open Back Banjo (c.2003) - Image 3

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Doug Unger Presentation Open Back Banjo (c.2003) - Image 4

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Doug Unger Presentation Open Back Banjo (c.2003) - Image 5

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Doug Unger Presentation Open Back Banjo (c.2003) - Image 6

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Doug Unger Presentation Open Back Banjo (c.2003) - Image 7

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Doug Unger Presentation Open Back Banjo (c.2003) - Image 8

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Doug Unger Presentation Open Back Banjo (c.2003) - Image 9

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Doug Unger Presentation Open Back Banjo (c.2003) - Image 10

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Doug Unger Presentation Open Back Banjo (c.2003) - Image 11

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Doug Unger Presentation Open Back Banjo (c.2003) - Image 12

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Doug Unger Presentation Open Back Banjo (c.2003) - Image 13

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Doug Unger Presentation Open Back Banjo (c.2003) - Image 14

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Description

Here is a stunning homage to the Fairbanks banjos of the 1890s by master craftsman Doug Unger. Doug made this neck to mate with a Weymann c.1900 top-of-the-line rim (described below) as a personal custom order for dealer John Bernunzio. Every deluxe feature imaginable appears on this neck. The beautifully engraved pearl inlays in the ivoroid-bound Weymann shaped headstock and neck are reminiscent of the best work from Icilio Consalvi (the Italian immigrant who set the standard for instrument engraving on Fairbanks and other Boston-made banjos beginning in the 1890s). You may want to feast your eyes on the detail in the attached photos of the headstock (front and back - with ebony back-strapping) and ivoroid-bound ebony fretboard. Catch your breath a little and observe the unique carving on the Cole-style boat-shaped heel. While you’re looking at the back of the banjo, note the metal-spun Weymann rim.  Very few of these Weymann top-of-the-line open back banjos are known to exist, and most have similar marquetry and somewhat varied elegant engraving.

Doug Unger Presentation Open Back Banjo (c.2003) | Elderly Instruments